Daniele V. Filippi
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    • The Soundscape of Early Modern Catholicism
    • Sonic Experience in the Renaissance
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  • About
  • Home
  • What I am doing
  • My research projects
    • The Soundscape of Early Modern Catholicism
    • Sonic Experience in the Renaissance
  • Publications
  • About
Daniele V. Filippi
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     © Susanna Drescher


bio

Born in Milan (Italy) in 1975, Daniele V. Filippi studied in Cremona and in Heidelberg. He graduated in Musicology in 1999 with a dissertation on Giovanni Pierluigi da Palestrina’s Motecta festorum totius anni. He completed his PhD in 2004 and started a dual career in musicology and book publishing. Married, with three children, he lives in Milan. His scholarly interests include early modern music and spirituality, historical soundscapes, and intertextuality. He has published books, articles, and book chapters on Gaffurio, Palestrina, Victoria, Marenzio, de Monte, and G.F. Anerio. In 2012-2014 he has developed the project ‘The Soundscape of Early Modern Catholicism’, thanks to a research fellowship from the Jesuit Institute at Boston College. In 2014-2020 he was a researcher at the Schola Cantorum Basiliensis (Basle, Switzerland). In 2021 he has taught music history at the Conservatorio Rossini, Pesaro. Since 2022 he is a tenure-track researcher at the Università degli Studi di Torino.

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research interests

Renaissance music; Sacred music; Sixteenth-century devotional music and aesthetics; Milan; Rome; ‘Roman’ composers (Palestrina, Victoria, Marenzio, G.F. Anerio); the motet; form in Renaissance music; historical soundscapes; intertextuality; early modern Catholicism; Jesuit music; Carlo Borromeo; early modern missions; early modern catechesis.

main publications

Co-edited book: Motet Cycles between Devotion and Liturgy, ed. by Daniele V. Filippi and Agnese Pavanello (Basel: Schwabe 2019; series «Schola Cantorum Basiliensis Scripta» 7).
Co-edited book:
Mapping the Motet in the Post-Tridentine Era, ed. by Esperanza Rodríguez-García and Daniele V. Filippi (Abingdon-New York: Routledge, publ. September 2018, © 2019).
Co-edited book: Listening to Early Modern Catholicism, ed. by Daniele V. Filippi and Michael Noone (Leiden: Brill, 2017; series «Intersections» 49).
Book:Tomás Luis de Victoria (Palermo: L’Epos, 2008; series «Constellatio musica», n. 16).
Book: Selva armonica. La musica spirituale a Roma tra Cinque e Seicento (Tournhout:
Brepols, 2008; series «Speculum musicae», n. 12).

Edited special issue of journal:“Their Sound Hath Gone Forth into all the Earth”. Music and Sound in the Ministries of Early Modern Jesuits. «Journal of Jesuit Studies» 3/3 (2016) [open access]. Article: Audire missam non est verba missae intelligere…’: The Low Mass and the ‘Motetti missales’ in Sforza Milan, in «Journal of the Alamire Foundation», 9/1, 2017, 11-32.
Article: A sound doctrine. Early modern Jesuits and the singing of the catechism, in «Early Music History», 34, 2015, 1-43.
Article: Carlo Borromeo and Tomas Luis de Victoria: a gift, two letters and a recruiting campaign, in «Early Music», 43/1, 2015, 37-51. .
Critical edition: Giovanni Francesco Anerio, Selva armonica (Middleton, WI: A-R Editions, 2006; series «Recent Researches in the Music of the Baroque Era», n. 141).
Critical edition: Giovanni Pierluigi da Palestrina, Motecta festorum totius anni cum communi sanctorum quaternis vocibus (1563) (Pisa: Edizioni ETS, 2003; series «Diverse voci…», 2).

(see Complete CV above for other publications and details)


Daniele V. Filippi
Milano (Italy)

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