(C) Susanna Drescher
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research interests
Renaissance music; Sacred music; Sixteenth-century devotional music and aesthetics; Milan; Rome; ‘Roman’ composers (Palestrina, Victoria, Marenzio, G.F. Anerio); the motet; form in Renaissance music; historical soundscapes; intertextuality; early modern Catholicism; Jesuit music; Carlo Borromeo; early modern missions; early modern catechesis.
main publications
Co-edited book: Motet Cycles between Devotion and Liturgy, ed. by Daniele V. Filippi and Agnese Pavanello (Basel: Schwabe 2019; series «Schola Cantorum Basiliensis Scripta» 7).
Co-edited book: Mapping the Motet in the Post-Tridentine Era, ed. by Esperanza Rodríguez-García and Daniele V. Filippi (Abingdon-New York: Routledge, publ. September 2018, © 2019).
Co-edited book: Listening to Early Modern Catholicism, ed. by Daniele V. Filippi and Michael Noone (Leiden: Brill, 2017; series «Intersections» 49).
Book:Tomás Luis de Victoria (Palermo: L’Epos, 2008; series «Constellatio musica», n. 16).
Book: Selva armonica. La musica spirituale a Roma tra Cinque e Seicento (Tournhout: Brepols, 2008; series «Speculum musicae», n. 12).
Edited special issue of journal:“Their Sound Hath Gone Forth into all the Earth”. Music and Sound in the Ministries of Early Modern Jesuits. «Journal of Jesuit Studies» 3/3 (2016) [open access]. Article: Audire missam non est verba missae intelligere…’: The Low Mass and the ‘Motetti missales’ in Sforza Milan, in «Journal of the Alamire Foundation», 9/1, 2017, 11-32.
Article: A sound doctrine. Early modern Jesuits and the singing of the catechism, in «Early Music History», 34, 2015, 1-43.
Article: Carlo Borromeo and Tomas Luis de Victoria: a gift, two letters and a recruiting campaign, in «Early Music», 43/1, 2015, 37-51. .
Critical edition: Giovanni Francesco Anerio, Selva armonica (Middleton, WI: A-R Editions, 2006; series «Recent Researches in the Music of the Baroque Era», n. 141).
Critical edition: Giovanni Pierluigi da Palestrina, Motecta festorum totius anni cum communi sanctorum quaternis vocibus (1563) (Pisa: Edizioni ETS, 2003; series «Diverse voci…», 2).
Co-edited book: Mapping the Motet in the Post-Tridentine Era, ed. by Esperanza Rodríguez-García and Daniele V. Filippi (Abingdon-New York: Routledge, publ. September 2018, © 2019).
Co-edited book: Listening to Early Modern Catholicism, ed. by Daniele V. Filippi and Michael Noone (Leiden: Brill, 2017; series «Intersections» 49).
Book:Tomás Luis de Victoria (Palermo: L’Epos, 2008; series «Constellatio musica», n. 16).
Book: Selva armonica. La musica spirituale a Roma tra Cinque e Seicento (Tournhout: Brepols, 2008; series «Speculum musicae», n. 12).
Edited special issue of journal:“Their Sound Hath Gone Forth into all the Earth”. Music and Sound in the Ministries of Early Modern Jesuits. «Journal of Jesuit Studies» 3/3 (2016) [open access]. Article: Audire missam non est verba missae intelligere…’: The Low Mass and the ‘Motetti missales’ in Sforza Milan, in «Journal of the Alamire Foundation», 9/1, 2017, 11-32.
Article: A sound doctrine. Early modern Jesuits and the singing of the catechism, in «Early Music History», 34, 2015, 1-43.
Article: Carlo Borromeo and Tomas Luis de Victoria: a gift, two letters and a recruiting campaign, in «Early Music», 43/1, 2015, 37-51. .
Critical edition: Giovanni Francesco Anerio, Selva armonica (Middleton, WI: A-R Editions, 2006; series «Recent Researches in the Music of the Baroque Era», n. 141).
Critical edition: Giovanni Pierluigi da Palestrina, Motecta festorum totius anni cum communi sanctorum quaternis vocibus (1563) (Pisa: Edizioni ETS, 2003; series «Diverse voci…», 2).
(see Complete CV above for other publications and details)
